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Lincoln Center Theater has dropped "Tonight at ," a two-night cycle of seven Noel Coward one-act plays, from its Broadway plans this year. And why? Because New York isn't a big enough town to produce the right leading man.

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At least, not one who isn't committed to a bigger town called Hollywood. But this needed someone in his mid's or older, attractive, who sings well, who dances, who can do English for real -- not a phony-baloney accent -- who can partner an actress as wonderful as Blythe Danner, and has a certain.

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Cowardian insouciance. Whom did they talk to? Bishop, careful to avoid hurting anyone's feelings. Bishop said, the regret in his voice obvious.

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His idea of comedy is so musical that, unless you have a degree from Juilliard, he has to poke your ribs black and blue with his elbow explaining the punchline. For instance: "My favorite line in 'Phantom,' " he told Martin Gottfried, "is the repetiteur saying, 'Now, once again, if you please, or Piangi, after 7. A pause. He paused again. And it turned out to be a rather famous conductor in the audience. When Neil Simon snubbed Broadway last week, announcing that its economics would force him to produce his newest play Off Broadway, he also wrote a plot problem for himself.

Although 1,seat Broadway theaters are available, most of the theaters of or more seats, the size he wants, are booked, at least tentatively. Needless to say, a theater owner offered blythe danner topless New York premiere of "London Suite" might break a contract -- or push his grandmother off a pier -- to get it. The show could be shoe-horned into the season of an established company, but that's pretty disruptive.

As it turned out, there are plenty of offers out there. None have been accepted, and some weren't exactly what Emanuel Azenberg, Mr. Simon's producer, had in mind. The oddest of the serious offers was of a collapsible seat theater made of velvet-on-steel panels, supposedly by the same Soviet industrial group that built the Mir space station.

The catch: it's in storage in a hangar in Russia. Saving Money on Costumes. In its vicious pan of "Hair" in as a phony, sell-out vision of hippie counter-culture, The East Village Other got off a line that might have been quoted in thesince it was what much of the excitement was about: "If you have never seen a nude boy before -- from the front! Back then it was shocking: a brief moment of the cast standing there like kouri, and blythe danner topless everyone scurrying off in the blackout to get dressed.

Recently, a press release for "Automatic Telling" arrived with the note: "Contains full frontal nudity. One wonders why they bother. This is the season for wall-to-wall naked men on stages from Central Park to Broadway to Off Broadway.

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It's not shocking anymore. Sometimes it's funny, sometimes it's tender, sometimes it's essential to the plot. And sometimes it isn't.

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Terrence McNally's "Love! Paul Calderon, a boxer, towels off after a shower in "Blade to the Heat. And what were those poor guys doing skinny-dipping during one of the coldest Augusts on record in the Shakespeare-in-the-Park production of "The Two Gentlemen of Verona"? Helping sell free tickets, presumably, because they were echoed on the cover of the Playbill, an Thomas Eakins painting of bare-bottomed Victorian gents bathing that otherwise had nothing to do with Verona or Shakespeare.

What's going on?

Blythe danner topless

Why this year? George C. Wolfe, who directed "Blade" and "Angels" and, as head of the Papp Public Theater, oversaw "Two Gentlemen," is probably as responsible as anyone for the trend. In 'Blade,' you see Paul out of the shower after he's just lost his title. It's a stripping down; it reveals the frailty in the human flesh. Joe Mantello, the director of "Love!

Blythe danner topless

Is there a double standard operating? But you can count on one hand the male actors who appear nude. Theater On Stage, and Off. View on timesmachine. TimesMachine is an exclusive benefit for home delivery and digital subscribers. To preserve these articles as they originally appeared, The Times does not alter, edit or update them. Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions. Saving Money on Costumes In its vicious pan of "Hair" in as a phony, sell-out vision of hippie counter-culture, The East Village Other got off a line that might have been quoted in thesince it was what much of the excitement was about: "If you have never seen a nude boy before -- from the front!

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