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So, ditch whatever lame thing you were doing and rock on down to Famous Pub for a taste of nostalgia doused in new wave, a little dark underground as well as videos from Madonna to The Curewith a little Sisters of MercyDepeche Mode and Siouxe thrown into the mix! VJ Anthony hails from Florida and has been jockeying those discs for over 25 years. He could also be found dishing out danceable visual experiences at the Bootie ATL dance parties, which were held monthly at The Shelter.

First off, the space is incredible—a best-kept-secret kind of thing. They can expect to hear old favorites they might not have heard in years and some they might have missed back in the day. The best part, to me, is the video aspect.

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There are a of flat screens, as well as a couple of projector screens around the club. Is it random picks? Audience requests? Or do you plan each night specifically? I can feel out the crowd pretty well after plus years, but I do play requests! They have to be a good fit, but requests are welcome.

I want people to have fun—and come back! What other special editions would you like bondage clubs atlanta see come to fruition and why? I think the plan is this: The first and third Fridays will be Icon: 80sstrictly 80s, with loose themes. There will also bondage clubs atlanta tribute nights to individual bands such as Duran DuranThe Cure or Depeche Modethat will showcase their prolific video catalogs throughout the night.

Songs you love to hate, or songs you hate to love. It will be kind of like a test to see if people are brave enough to dance to some embarrassing but fun songs. What is your favorite 80s genre or performer and why? I can narrow the genre part a bit by saying I really love new wave, Goth, ethereal and industrial. The record labels 4AD and Wax Trax! My grandmother bought me a Betamax in the early 80s and I was fortunate enough to have MTV from the very first airing on August 1, I quickly discovered many new bands and was really attracted to the new wave sound coming from the UK.

Currently, I have around 10, videos. My favorites are concept videos; they have a story to tell, like a mini movie. They usually have bad acting from band members who are suddenly forced to make a music video. Can you tell our readers a little about how it differs from the regular event and about what to expect? Black Out is the fourth Saturday each month, also held in the back of Famous Pub. To be fair, though, there is some crossover. What drew you to the dark side? Did you have a particular calling to become a DJ and then a VJ? I never heard enough of the music I really loved when I went out to clubs, so I started learning how to DJ for myself, then parties, then clubs.

I was always in love with the video aspect, so it just felt like a natural progression to me. The road has been long, but lots of fun.

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Having worked at many clubs in many different cities, which gig would you say was your favorite? I love it when the music itself is what brings them [ the audience ] out and moves them, figuratively or literally. The most important tangible things I want to see in a club are a really good sound system and clean bathrooms — which Famous Pub has! Everything else—like crazy lights and cool art—is really incidental. If you could have a dream gig, where would it be and how would it run? I would love a weekly dark eighties night in a club not unlike some of the seedy ones in 80s movies.

But I want clean bathrooms! You know, I think it will. People already had that nostalgia in the early 90s, when the 80s were barely over. It was huge in the mid- and lates.

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Hell, I hear people who are currently in high school and college going on about some obscure 80s band. I am still nervous as hell, every time!

Bondage clubs atlanta

Ironically, I am not comfortable in a large crowd of people. The DJ booth helps keep me in a small personal zone, which makes it easier bondage clubs atlanta interact with just a few people at a time. I guess I have social anxiety, but only when the of people creeps above eight or so. Category: Kool Kat of the Week Tags: '80s movies'80s musicminutes4adClubblake'sblancmangeBootie Atlantaclub fetishcocteau twinsdead can dancedepeche modeduran duranfamous pubfrontfuture clubGoth-industrialheels and whipsMadonnamark ultra loungeMasqueradeMTVmusic video dance nightmusic videosoingo boingosiouxsiesisters of mercyskinny puppyThe ChamberThe CureThe Sheltervj anthonywax trax!

The killer line-up includes a treasure chest of ATLRetro Kool Kats of weeks past, so we thought it would be fun to reprint some highlights from their interviews to give you a taste of the fun to come. Chris told us that he grew up on rockabilly and surf music and that the Rockabilly Luau is a labor of love. He has original songs, and his main band, the Psycho-Devilleswhich also features Buford T.

I also remember my little brother and I fighting that day and my father threatening to smash my new prized possession!! He would have done it too. Since I am an upholstery guy, I have industrial sewing equipment and just make whatever I want. I have quite a huge collection of suits. I always want to make a new one for every show! I had gone through a tumultuous relationship and breakup which gave me a lot of inspiration to write some songs that are finally ending up on my new record. Of course, a little time passing and meeting the love of my life — my husband Robert — helped a lot, too!

There have been some lineup changes over the past 15 years, but I have been very fortunate to play with some of the best players in Atlanta. Every form of music we listen to today is, to some extent, derivative of some sort of sound that is not from the 21st century. As for me personally, I play what I play because those are the kind of songs that I write. I guess you could say that country western honky tonk music is not a 21st century sound.

Andy Hawley. Photo courtesy of Andy Hawley. Andy said he became the Right Bondage clubs atlanta a bit by accident. The program director for Album 88 wanted to differentiate my show from the country show, so I went with the Freakout.

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I would travel around to different stores with a song in mind, walk around, do a lot of staring at stuff, and buy it [if I had] the feeling that I could make it work. When you listen to Tom Waits, or even see a photo of him, there is this nostalgic, romantic quality to him. I feel that with his music, he does not fit into this new polished sound that is on the radio or popular with a wide audience. By no means am I calling them old, but you just do not hear people talking about him as much as you do a mainstream band or singer.

I did not want to just simply make a wooden box or buy some canvas for the art, I wanted to take the vintage old soul approach with the art. So each piece has some sort of lost antique or discarded feel to it. I love it. That, together with training in Polynesian and Eastern dances, it was a natural fit. Retro-tainment if you will. Read our full interview with Medusirena here. Everyone on the Rockabilly Luau playlist is a sure-fire contender for a future Kool Kat. Hotel guests only kickoff party! Saturday Line-up: Gates open! Katherine Lashe. Photo credit: PinUp Girl Cosmetics.

This week alone, Syrens of the Southher production company, is giving Atlanta a new monthly burlesque showcase with Tease Tuesdays at The Shelter on June 11 specific Tuesdays will vary per month. Perhaps most of all, Katherine is the driving force behind the Southern Fried Burlesque Festivalwhich celebrated its third anniversary this year.

Finally Atlanta has an annual event that brings together local, regional, national and even international burlesque revival stars and legends. Bondage clubs atlanta ended up wanting to be a drag queen when I grew up because they had the best clothes! I was pretty disappointed with this childhood realization. Burlesque seemed to unite the whole drag queen dream with my theater experience. I understand you kicked off your burlesque career in Atlanta by opening for Dita Von Teese. How did that happen and can you share something about that experience? Did Dita impart any words of wisdom that have stayed with you.

I used to be the head performer at The Chamberand one day Howie, the manager, told us we were opening for Dita von Teese in two weeks and we should do something burlesquey. I had no idea what that meant since I had very limited experience with burlesque having only seen The Doll Squad and Torchy Taboo perform a few times at that point. We ended up putting together a Fosse- style group that incorporated burlesque, dancing and a little bit of that Chamber touch. The Syrens of the South is a production company, not a troupe. A troupe is traditionally a group of people that works together on a regular basis; going through routines and rehearsals, every member focused on a common vision of what the group should embody as a whole, and then also on what every member will perform exclusively.

Syrens of the South treats all of our performers as independent contractors, and I have always encouraged everyone to have their own identity — to perform whenever and with whomever they want. Each performer creates their own personal vision of what they want to be, and they own and control their personal performance. Syrens is like a playground on which these amazing folks can show their talent. Thanks to this freedom, performers can feel free to include everything from classic, to comedy, to just plain weird stuff.

I also try to make sure that we have a good variety of acts, including, of course, vaudeville type acts to bondage clubs atlanta up the boobies, making it an interesting evening for everyone! SFBF has made it to its third year and seems to be really hitting its stride. My favorite part each year is the Legends. I have a passion for burlesque history, hence why I teach a very in-depth class on it, and have been collecting burlesque legend interviews for a very long time now. My goal is to gather as much information as possible before the information is no longer available.

I was lucky enough to interview Tura Satana before she passed away, and I am so very grateful I was able to do so. This particular year I was really excited with how many people from the local Atlanta burlesque community became involved. In between volunteers, performers and even those that just showed up in the audience to come and see us, plus so many regular Syrens of the South performers, members of Hot Toddies Flaming CabaretThe Imperial OPA CircusMinette Magnifique and Musee du Coeur showed up both on stage and off.

The hope is that Southern Fried can help show Atlanta a taste of what goes on in the rest of the world, as well as showing the rest of the world the amazing talent we have here bondage clubs atlanta Atlanta and the Southeast. The goal of Tease Tuesday is to help raise money so we can continue putting on this amazing festival.

The rest of the money comes from our vendors, sponsors, application fees, Syrens of the South shows and out of my pocket. In New York there are multiple bondage clubs atlanta and even weekly burlesque events, but Atlanta audiences have had to wait several months between shows by the same troupe or producer. Can you tease our readers about the Syrens first Tease Tuesday and how you plan to keep a monthly show fresh and exciting?

Will shows be themed and will you just feature local performers or regional and national performers as well? Our first Tease Tuesday show was in May as a straight up fundraiser and test show. Fritzengreuben was our Master of Ceremonies with Tupelo Honey as our stage kitten. Studio Burlesque is another milestone for the Atlanta burlesque community. How did that get started and what was your role in its fruition?

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It was really only a matter of time before someone realized the popularity of burlesque was on the rise and that there should be a studio dedicated to it. An investor approached multiple members of the Atlanta burlesque community until he found the right fit which happened to be the valedictorian of the very first Syrens of the South graduating class: Ursula Undress. She and I had a long talk about it after she was approached, and her mission statement was beautiful and her heart was in the right place, so I decided to move my regular classes to Studio Burlesque.

Many of my former students became teachers in the Syrens of the South class series and now teach at Studio Burlesque. Are classes just for aspiring burlesque performers? Could any of them be an alternative to a conventional boring exercise class? The regular weekly classes are for anyone at any level of dance experience.

My Beginning Burlesque class on Wednesday at p. The bondage clubs atlanta track classes are for those that are interested in becoming burlesque performers or at least getting a solo opportunity on stage.

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